Annie Whitehead

was born in Oldham, Lancashire, the heart of brass band country. She learnt trombone at school and by the age of fourteen was already busy playing with brass bands, local dance groups and the Manchester Youth Jazz Orchestra. At sixteen, she started her professional career with Ivy Benson’s legendary All Girls Orchestra, and spent the next two years playing summer sessions and touring Europe with that band. She settled for a while in Jersey where, inspired by the music of Miles Davis, Charlie Mingus and Wayne Henderson, she began to develop her own style.

Arriving in London in the late seventies, Annie found herself much in demand, both for live work and as a session player. She worked with many well-known artists including Joan Armatrading, Chris Rea, Bill Wyman, Elvis Costello, Carlene Carter, Paul Weller, Jerry Dammers, Amazulu, The Communards and Bananarama. She toured extensively with Fun Boy Three, Joe Jackson and Jah Wobble. She was also a founder member of Working Week. By the early eighties her reputation was such that Beat International Magazine described her as:

‘The Sly and Robbie of British brass, the woman everyone turns to when they want a class trombone player…for her work on the reggae label Fashion, she would warrant an honourable mention in any history of British reggae. The same goes for her work in African music, Latin and Salsa, Jazz and Pop.’ Beat International Magazine

Increasingly involved in the London jazz scene, her versatility and eclectic approach led her naturally into more unorthodox musical territories. She joined The Guest Stars and The Lydia D’Ustebyn Orchestra, both all-women bands and played with Paul Rogers’ 7RPM, The Charlie Watts Orchestra and with vocalists Maggie Nichols, Jan Ponsford and Carol Grimes. She then met the great English maverick, drummer John Stevens, with whom she formed a deep and provocative musical relationship. They worked together in a number of bands including Folkus, Freebop and Fast Colour, a band that featured trumpeter Harry Beckett, saxophonists Evan Parker and the great Dudu Pukwana. Through Harry and Dudu, Annie began a rich association with the South African community living in exile in London, playing with Chris MacGregor’s Brotherhood of Breath and Louis Moholo’s Spirits Rejoice. In Europe she worked with Michael Urbaniak, Jasper van t’Hof, Ursula Dudziak, The World Trombone Quartet (with Ray Anderson), Abdullah Ibrahim and American harmonic guitarist James Blood Ulmer.

In 1984 Annie formed and wrote the material for her own band. Releasing her first album as leader, the critically acclaimed Mix Up.

‘A unique hybrid of the most vivid kind; a seamless mix that shows a sure feel for Pop and the reaching thrust at the core of great Jazz. Assured, hungry and innovative.’ Melody Maker

She also released the self-produced single Alien Style/Mambo 3 (her debut as vocalist). For the next four years Annie and the band toured throughout Britain, Europe, India and the Far East, delighting audiences with their stylish, original music.

By 1990, keen to develop her writing for different line-ups, Annie received a commission from Greater London Arts to compose for a ten-piece group: The Dance. The piece, entitled The Lonely Heart Suite, was performed live on a number of occasions and has been recorded for the National Sound Archive. She has also been commissioned to write pieces for the World Trombone Quartet and by the Berlin City Festival for an all star band. In 1991, Annie joined the Penguin Café Orchestra with which she has toured worldwide and appeared on three albums: Broadcasting From Home, Union Café and Concert Program. It was here that she met her partner and musical collaborator Ian Maidman. Their first project together was the free-funk ensemble Rude, described by the Guardian as:

‘A resourceful line-up crossing just about as many jazz and dance barriers as Whitehead does herself, with trumpeter Harry Beckett, Penguin Café bassist Ian Maidman and the wake-the-dead drummer Liam Genockey.’ The Guardian

They released the CD This is Rude on the Resurgence label and continue to play live throughout the UK. In the last few years Annie has also toured and recorded with the Paul Dunmall Octet (featuring Keith Tippett and Tony Levin), Elton Dean’s Newscene (alongside legendary trombonists Roswell Rudd and Paul Rutherford), and Gary Crosby’s Jazz Jamaica. With the horn section The Kick Horns, she has done session work with Gabrielle, The Spice Girls, Blur, Boyzone, Eddie Reader, Sleeper and Dr John. She is also featured on Robert Wyatt’s album Schleep and working with Robert arranged many of his songs for a live project, Soupsongs, featuring Julie Tippetts and Ian Maidman on vocals. The band also includes Didier Malherbe and Phil Manzanera. Recently, she wrote the music for a new play by Glyn Maxwell, Anyroad that premiered at the Bridewell Theatre, London in February 2000.

Annie’s current band was originally formed in response to a commission from the Musicians Union and Jazz Moves in 1994. Since then the band has toured the UK, appearing at the Glasgow International Jazz Festival, Bracknell Festival and Brecon Jazz Festival as well as two live recordings for BBC Radio 3 from the Blackheath Concert Halls and the Hull Jazz Festival. In August 1996 the band released their first CD Naked. Then came Home which was released in 1999.

Her first album on Provocateur Records, The Gathering was released in September 2000, featuring the legendary Robert Wyatt. Her second album Airplay was recorded with concertina player Alistair Anderson, they worked together as Northern Lights and released the album on Provocateur September 2002. The album is an inspired mix of folk rhythms and jazz grooves featuring nine original compositions.

‘An intriguing fusion of folk and jazz elements’ BBC Music Magazine

‘Annie Whitehead
has emerged as one of the brightest and most versatile musicians in Britain, working with her own groups and a diversity of British jazz luminaries.’ The Illustrated Encyclopaedia of Jazz


Annie Whitehead on Provocateur Records

Annie Whitehead: Trombones
Ian Maidman: Guitars
Steve Lamb: Bass
Steve Lodder: Piano/Keyboards
Liam Genockey: Drums/Percussion
Robert Wyatt: Guest Vocals


# Mist
# The Gathering
# Blue Note Bounce
# This affects that
# The lonely heart (part 1)
# The lonely heart (part 2)
# Before we knew
# Afro blue
# Remembering

One of the most eclectic and versatile trombonists to come out of the British jazz scene.TIME OUT

A powerful mixture of African grooves, blustery free jazz and bursts of driving blues. THE GUARDIAN

A seamless mix that shows a sure feel for pop and the reaching thrust at the core of great jazz. Assured, hungry and innovative. MELODY MAKER

It is full of warmth, humour, variety and attractive tunes She combines traditional attributes of the jazz trombone, such as slides and vocal effects, with multi- tracking to produce a fascinating range of sounds. THE OBSERVER

The kind of delicate, exposed, ballad trombone playing that separates the women from the girls. Q MAGAZINE

Space age themes a rock influenced funk beast impressive soloists one of the most individual and cohesive bands currently touring the jazz circuit. THE TIMES

Sharp musicians are encouraged to converse in attractive settings drawn from African townships jive, funk, blues and straight ahead jazz with a kink in it. THE GUARDIAN

Emphatically rootsy and full of fat licks. INDEPENDENT ON SUNDAY

Whitehead’s own playing is impeccable, her tone greatly expressive and her band superb.TOP MAGAZINE

A nice big, lively party of an album. Q MAGAZINE

Selected Annie Whitehead recording’s